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Plate 18 from Joan Miró's celebrated Peintures sur Cartons portfolio (1965) is a vivid testament to the artist's enduring inventiveness. Originally conceived as paintings on cardboard, the series was translated into lithography by Mourlot and published by Maeght Éditeur, Paris — capturing the raw, spontaneous energy of Miró's painted surfaces in the precision of the printed medium. The result is a work of remarkable immediacy: gestural, chromatic, and deeply characteristic of his mature visual language.
Catalogued as Mourlot 377, this unnumbered impression from the portfolio is a distinguished and accessible entry point into Miró's print oeuvre.